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confirmed
Feishin fills the MPRIS metadata in the way the spec intends: a real
mpris:artUrl, xesam:artist, and a clean xesam:title. That makes it the
useful case to test against, and it shows the missing cover under Firefox
is a browser and Navidrome-web limitation rather than anything this
component does wrong. It is also the first player whose art is a remote
HTTP URL instead of a local file, so the cover now depends on reaching the
Navidrome host.
It also settles the open question from the previous commit. Playing from
the same server, Feishin publishes only its own bus name and playerctld,
with no plasma-browser-integration entry, so that proxy is browser-only and
filtering it costs a native player nothing.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01TvHeJEXJzdfAaCCYqURAWp
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playerctld was not the only proxy. plasma-browser-integration republishes a
browser tab under its own bus name, so a playing Navidrome tab in Firefox
was live on three names at once: firefox.instance_*, the plasma name, and
playerctld. Only the first was being filtered, so two entries survived for
one track and the transport buttons went to whichever sorted first.
Safe to drop because none of the three bus names exists until playback
starts, and the browser's own entry was present whenever the plasma one
was, measured across two play sessions. An open but silent tab publishes
nothing, so there is no row to lose.
Also records what Navidrome does not provide: no mpris:artUrl, which is why
the row shows no cover and is not a bug on this side, and everything packed
into xesam:title with xesam:artist left empty. Neither is worked around,
splitting such a title needs guessing where a real dash ends.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01TvHeJEXJzdfAaCCYqURAWp
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The OSD gains a track row above the volume bar when an MPRIS player is
running: album art, title, artist, and prev/play/next. With no player it
is the volume OSD it was, at the same size. A track change or a
play/pause shows the panel as well, so the row is not something you only
see by happening to touch the volume.
Hovering freezes the fade so the buttons can be clicked and leaving
restarts it, which keeps the passive behaviour intact for anyone not
reaching for the mouse. The panel still takes no keyboard focus.
playerctld proxies whichever player is active and republishes it under
its own bus name, so every player is enumerated twice. Player.qml drops
that name rather than deduplicating by identity, and controls the real
player, which works whether or not playerctld is running.
Album art is loaded with cache off and a per-track suffix on the URL.
Audacious extracts embedded art into one temp file in its cache and
rewrites that same path for each track, so the URL repeats while the
image changes, and a cached Image would keep showing the last cover.
Theme gains overlay, used by the art placeholder.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01G7NRsGyF9jGfPYS4zPqpN7
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