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The hand-rolled buttons only reacted to hover, so a press gave no visual
confirmation until the action's outcome appeared. kdeconnect made this
obvious: its row buttons shell out to kdeconnect-cli, and nothing on
screen acknowledged the click.
Button.qml now fills solid accent while the mouse is held (red for
danger), with the label flipped to base for contrast. TransportButton
gets the same treatment, and the window-switcher close button lightens
on press. Toggles, tiles and tabs are left alone: their own state change
is already the feedback.
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The card's desktop line showed the workspace number. waybar draws the same
eight desktops as CSS background images keyed by number, because its
format-icons takes text rather than paths; those names now live in the
Windows singleton and are resolved through the active icon theme, so a
theme switch follows the drawer and the bar and the switcher agree. A named
workspace, or one past eight, falls back to its number, and so does an icon
the active theme cannot resolve.
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The card box is a fixed 16:10 and the preview is fitted inside it rather
than the card taking its preview's shape. DP-1 windows are near 21:9 and
DP-3 reports transform=1, so its windows are portrait 9:16: a 4.4x span
of aspect ratio in one grid, and ragged rows would break the alignment of
the three text lines that make it scannable.
Both corner overlays carry a scrim. They are drawn over an arbitrary
window, so a themed icon can otherwise land on a same-coloured region and
disappear.
An uncaptured ScreencopyView reports sourceSize (-1, -1) rather than
(0, 0), so the aspect ratio guard tests for a positive height.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01SYg4wYHq5XNbiVmMeKRb1S
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